I have often mentioned that being born in the 80’s and living
through the years after has offer me and my generation an un-paralleled
advantage- We have seen the world change in bits and pieces, day-by-day.
Technology from my childhood is obsolete in most cases today; the one still
around only have classical value. What the changes have also resulted in has
been the fall of dominant empires and rise of new ones which replaced them. Some
like Sony who changed with times still hold their stature. I don’t think people
rate the technology of a Bravia, Vaio or Xperia lower to the Walkman at some
point in the 80s. Sadly, the ones which got lost in their own glory to forget
the art of adaptation went on to immortalize Darwin.
One of the most appealing and fascinating gadget my father
had was an SLR camera from Minolta as well as a point-n-shoot Nikon. But what
had to be treated with immense respect irrespective of the make was the camera
film. So it didn’t matter if Sakura was now Konica, Fuji was cheap or Kodak was
expensive- if by chance the film from any one got exposed accidentally opening
the reel cover, down the drain went the memories. The films also demanded
respect as you could click only 36 shots per reel (yes, there were some shady ways
to do more on the same reel), so taking a picture was like a responsibility.
I took some time to read up on Kodak for making a case study
and realised that Eastman Kodak was the oldest and the biggest player in the camera
film plate arena for close to 100 years when I might have held a camera. It was
a legend that had over 90% market share at one point thanks to its smart
selling strategy of cheap camera units and milking the film and photo paper cows.
Along with Gillette and its shaving blades, this was another great example of
making the big profits on the consumables- something still followed by a lot in
the market.
After the patent for the film plate was taken, a folding Kodak
pocket camera in 1890, which was pegged at a very affordable price of $25. The main
stay was the $10 to process and print the pictures which in combination with
the camera paved the road to greatness. I’m not sure when BTL marketing was
officially recognised, but in 1897, Kodak sponsored an amateur photographer
contest and saw 25,000 participants. In 1904, Kodak held a Grand Kodak
Exhibition featuring 41 photographs to attract an audience for the art. This connect
is so natural that I cannot imagine if this marketing proposition might change
for such events today.
The ads were so powerful to take the photography to people
other than professionals - “You press the button- we do the rest”. Not to
mention, signage’s along the roads reading, ‘Picture ahead’ with the
well-recognised Kodak name under the sign is fabulous use of ambient media. The
term "Kodak moment" might be used for eternity for every memorable picture.
This was the strong brand connect that Kodak has in the memory of every
individual. Sadly, I feel it won’t be wrong to say that no one uses Kodak in
taking pictures any more.
The demise of the brand to the levels of bankruptcy in 2012
has been a classic case of treating it as a product offering and forgetting that
the brand was a living being with a personality. Much like a human being, it
has to adapt to changes and transform its role in the life of people to
maintain its relevance. Yes, handling competition was important- so was
transition into technology that could change the business dynamics. Kodak had
developed a digital camera in 1975, the first of its kind. But the product was
dropped for fear it would threaten Kodak's photographic film business, which
was already facing threat from Fuji by means of its competitive pricing.
Marketing Myopia, as my marketing professor preached was
like being so much in love with your products that you become completely
ignorant of what damage this obsession leads to your own self. The outlook from the management always
remained that profit for Kodak was in making money on the consumables side as
the optics was just a one-time buy. Digital imaging transformed this myth and
when Camera phones came out, Kodak went into the business of vendor driven
memory chip business.
Kodak had a fabulous connect with people and their memories. They had done everything right from the very beginning to reach a stature no one else can possibly manage. All they needed to do was possibly maintain that connect irrespective of
selling films to feed their camera. If the phone got a decent camera, the
logical move was to bring out a super camera that could also be a phone. Photograph= Kodak; that was the least or most they has to ensure. Sadly, they
missed the bus and ran out of business.
What all this only signifies is that brands are like living
beings interacting with their users. People wish to be associated with a brand
for a part of its persona that builds these bonds. If the threads of this bond
are not recognised and the relation turns into a transaction; you might just be
the next Kodak.
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